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EIC: We Are Horror Magazine. Writer: An Injustice, Gayly Dreadful, Ghouls Magazine, Rely on Horror, SUPERJUMP, and Upper Cut!

…and the dismantling of anti-blackness.

*Warning! Spoilers ahead.*

Amazon’s Them (2021), despite all of my predictions in my trailer analysis, did do something vital and imperative: critique ‘whiteness’ and white supremacy. I clocked a lot of the series themes in my initial analyses of the trailer, so if you’d like to read that first I’d highly recommend you do so.

Them immediately lets you know that the main characters are constantly in danger from internal and external forces (seemingly beyond their control). Indeed a malevolent entity, that was once human, is orchestrating a percentage of the woes that befall them…


A cinematic journey through music and horror.

**Content/Trigger Warning: Discussions and/or Visuals of drug use, necrophilia,self-harm, suicide, blood**

First and foremost, I have an interesting relationship with the Weeknd as an artist. He’s always been on the periphery of my radar but somehow melded into the tapestry of other ‘new’ artists. (I call a lot of musical performers this because a lot of them do not have the longevity or legacy of previous entertainers). …


A study in cautious optimism.

The Great Twitter Debate.

For context, I’m infrequently on Twitter. When I’m there, I AM THERE, when I’m not, well I’m not. So, over the past few days, on the platform I missed the impetus of the great skirmish about Black horror vs Black people in horror; to include, there was an equally important conversation about the visual tradition of the medium.

I was on the periphery of the goings-on, so I did a bit of digging and the crux of the conversation was two things. First, the 1 year anniversary of the film Us by Jordan Peele and…


Black Past Meets Black Future.

Have you ever experienced a piece of media that drastically alters your world and sets your imagination alight? Does the very ideation of the concept destruct and reconstruct everything you’ve attached to your identity? What happens when the words or images themselves have been seared inextricably onto that special place in your heart? …


A film franchise with amazing shoes.

How far would you go to collect a material obsession? Would you spend hundreds to thousands of dollars? Well, here’s a personal story about the intersection of fashion and nerdom. So, let’s establish some ground rules. There are levels to every individual’s collectibles, memorabilia, and keepsakes. A small designated shelf or entire rooms are dedicated to the practice of maintaining space for our prized possessions, right? Well, maybe not everyone, but for some people, it’s clothes, figurines, posters, music, film, video-games or any plethora of things that require meticulous sorting and cleanliness. Each of…


…and the history that shaped it.

Horror Noire: A History of Black Horror (2019) is the most incredibly robust and thought-provoking documentary to date about the relationship with the horror genre from a Black American perspective. Based on the book of the same name entitled, Horror Noire: Blacks in American Horror Films from the 1890s to Present (2011) by Robin Means Coleman, the documentary goes even further by examining the Black presence in horror from the very inception of celluloid itself and beyond. …


Perchance to dream

Fears from a child’s perspective are unlimited in scope, but the creators of Little Nightmares have somehow been able to capture the very aesthetic of horror from the diminutive framing of childhood terrors. The latest and perhaps last trailer before the release of Little Nightmares II, entitled Nightmares Explained with Derren Brown, delves into the very machinations of horror and why they unnerve so.

“Dreams. Nothing more than outside stimuli playing out in the theatre of the sleeping mind…but what of nightmares? Some would say they serve an evolutionary purpose. A survival mechanism. Our minds planning escape from our everyday…


To boldly go…

To date, there has never been a Black female lead in any of the Star Trek visual mediums.

Common complaints about the Star Trek: Discovery (2017) series thus far have been its overarching seasonal narratives, with no one-off episodes, and I’ll agree with that. The nature of television these days is like films, one and done, no room for stargazing. The neglect of some of the Discovery characters has certainly left some of the payoffs of the series lacking. To include, it would be nice to have some quieter episodes to really learn more about this amazing cast and crew. The snippets that we’ve experienced have been delicious, albeit crumbs in the grand scheme.

Moreover, there’s a subset…


Back to basics

Déjà Vu: The strange feeling of something familiar yet completely new. An experience of the brain and the eyes battling for memory recollection and affirmation. A peculiar feeling indeed. Upon viewing all of the released content from the Resident Evil showcase this January, I finally had my ah-ha finger-pointing moment and my world has finally righted itself upon a proper axis. Resident Evil Village and Resident Evil 4 are sister games. Well, at the very least they’re cousins. I’m sure many of you eagle-eyed viewers have spotted the parallels.


Exploring a half-baked franchise.

Spoilers for Wonder Woman and Wonder Woman 1984.

A week or two has gone by since Wonder Woman 1984 debuted in the United States…and a bit longer than that abroad…so I think enough time has elapsed to go into the pitfalls of a franchise that has already been greenlit for a third entry, despite its chasm sized problems with writing Diana, the Amazons, and its female villains. As the credits rolled and Diana soared off into the sunset, Barbara Minerva (Kristen Wiig) aka Cheetah was left on a craggy outcrop looking into the distance looking sullen and forlorn. As I…

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